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A Bruce A. Aiken TITLE: "On Location - Sketch 2," pastel drawing This was the second field sketch made early in the morning as a study for a final painting of the NASA White Sands Facility. June, 1986. (NASA Art Program) Art size: 13-3/4" x 19-3/4"
Bruce A. Aiken "TITLE: "On Location - Sketch 1," pastel drawing This is a field sketch done early in the morning as a preliminary for a final printing of the NASA White Sands Facility. June, 1986. (NASA Art Program) Art size: 13-3/4" x 19-3/4"
Bruce A. Aiken TITLE: "On Location - Sketch 3," pastel drawing This drawing, third in a series of field studies, was done early morning with a closer look at the NASA White Sands Facility. June, 1986. (NASA Art Program) Art size: 15-1/2" x 22"
Bruce A. Aiken TITLE: "Morning Over the White Sands Facility," acrylic According to the artist, who was on location, the most effective way to visually present the White Sands Facility was to show it sitting in the vast expanse that surrounds it. The Organ Mountains, on the left, dominate the valley, with the NASA facility sitting in the desert. The two antenna pointing towards the Eastern sky while the third is pointing upwards temporarily out of service. June, 1986. (NASA Art Program) Art size: 24" x 36"
Bruce A. Aiken TITLE: "High Tide at Cape Canaveral," oil on canvas In this landscape painting, the artist juxtaposes the natural beauty of the beach, the ocean, and the sunlit skies of Kennedy Space Center, beside the manmade wonder of the launch of the Space Shuttle, Atlantis. The STS-34 mission lifted off on October 18, 1989. (NASA Art Program) Art size: 36" x 40"
Bruce A. Aiken TITLE: "Five Days Later," oil/alkyd This painting is a vista of the Pleistocene dry lake bed at Dryden. This type of desert formation come from water that was melted glaciers pouring out of the Sierra Nevada Mountains at the end of the ice ages about 10,000 years ago. The Space Shuttle Atlantis is seen approaching landing after mission STS-34, which lasted from October 18-23, 1989. This painting is from the NASA space art collection (NASA Art Program) Art size: 28" x 34"
Jim Alford TITLE: "Endeavor and Intelsat," acrylic A nine day mission (May 7-16, 1992) accomplished the capture of the Intelsat VI satellite, subsequent mating of the satellite to a booster and its eventual deployment, as well as a Space Station Freedom preview extravehicular activity (EVA). In this painting, the floating architectural components, symbolize the union of the Space Shuttle Endeavor with the communications satellite Intelsat. (NASA Art Program) Art size: 47" x 47"
Jim Alford TITLE: "Double X and Edge," acrylic The endless sky holds special meaning for the artist whose canvases are filled with sky, color, shapes, and space - so much space that you feel as though you could launch off into it. The artist uses geometric and architectural forms which are symbolic of a space station. They add edges and reflections to the Space into which the viewer is propelled. (NASA Art Program) Art size: 32" x 46"
Rita Allred TITLE: "The Launch of STS-32," oil The man-made light of the launch becomes brighter than nature's light at the sunrise lift-off of STS-32, the LDEF retrieval mission. This mission lasted from January 9-20, 1990. (NASA Art Program) Art size: 55" x 33-3/4"
Rita Allred TITLE: "Inside the LDEF," oil A NASA scientific investigator within the LDEF works to remove the trays that contained the experiments that were in space for nearly five years. The LDEF retrieval mission was STS-32, January 9-20, 1990. (NASA Art Program) Art size: 40-1/4" x 33-1/2"
Paul Arlt TITLE: "Flight Deck Fantasy," acrylic painting on masonite panel The artist created a variety of colors and patterns in his interpretation of the complexity of the flight deck instrumentation panels in the Space Shuttle orbiter. STS-6, April 4, 1983, Kennedy Space Center. (NASA Art Program) Art size: 50" x 40"
Paul Arlt TITLE: "East to Cotopaxi," acrylic Artist view of the landscape and the NASA tracking facility in Ecuador in the 60's. (NASA Art Program) Art size: 25" x 32"
Anna Held Audette TITLE: "Crawler," oil During the Space Shuttle mission of the Gamma Ray Observatory, the artist focused on the mystery and massive structure of the undersurface and treads of the giant transporter in this low color key painting. A variety of cool and warm colors contrast subtly with the dark shadows of the vehicle. These crawlers which once moved the assembled Apollo/Saturn from the VAB to the launch pad, are now transporting the Space Shuttle orbiters. Each tread weighs about one ton. Atlantis and its crew were launched from the Kennedy Space Center on April 5th, 1991 and landed on April 11th at Edwards Air Force Base in California. (NASA Art Program) Art size: 32" x 44"
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