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G Nixon Galloway TITLE: "Night Reflections," oil oil painting of the first night launch of the Space Shuttle Challenger. On its third trip into space the Challenger lifts off in a dramatic contrast of shadows, brilliant light and color, its image reflected in the water below. STS-8 Kennedy Space Center, 2:32 a.m. (NASA Art Program) Art size: 48" x 36"
Nixon Galloway TITLE: "90 Seconds to Touchdown," oil Painting of the first flight of the Challenger (STS-6) in its final approach to runway 22 at Edwards Air Force Base in California. April 9, 1983, Dryden Flight Research Facility. (NASA Art Program) Art size: 30" x 40"
Nixon Galloway TITLE: "Langley Landscape," watercolor The massive and unusual textures and shapes of the 16 foot Transonic Tunnel at Langley Research Center are beautifully complimented by the well maintained lawns and trees that grace the entire complex. (NASA Art Program) Art size: 22" x 30"
Nixon Galloway TITLE: "Compression and Penetration," oil On October 14, 1947, flying the Bell XS-1 Glamorous Glennis (named for his wife), Air Force Captain Charles E. "Chuck" Yeager became the first pilot to fly faster than sound. The XS-1, later designated X-1, reached 700 miles per hour at an altitude of 43,000 feet over the Mojave Desert near Muroc Dry Lake, California. At that altitude and atmosphere, 700 miles per hour equaled Mach 1.06 -- 1.06 times the speed of sound. (NASA Art Program) Art size: 20" x 54"
Nixon Galloway TITLE: "Setting Up For the Test," oil The unusual colors and shapes inherent in wind tunnels are a delight to the artist's eye. The subject is a Rutan designed "Long-EZ" mounted in the Full Scale Wind Tunnel at Langley Research Center being readied for aerodynamic testing. (NASA Art Program) Art size: 36" x 24"
Nixon Galloway TITLE: "B-1 Bomber in the Tunnel," watercolor A model of the B-1 is ready for testing in the huge Transonic Tunnel at Langley Research Center. (NASA Art Program) Art size: 11" x 15"
Nixon Galloway TITLE: "Maiden Flight of the B-1," oil A model of the B-1 is ready for testing in the massive 16 foot Transonic Tunnel at Langley Research Center. (NASA Art Program) Art size: 48" x 48"
Nixon Galloway TITLE: "F-15 on the Spike," watercolor A stainless steel model of the F-15 Eagle is mounted for testing in the 16 foot Transonic Tunnel. (NASA Art Program) Art size: 29" x 21"
Frank Germain TITLE: "First Night Landing," acrylic Challenger is piloted down out of the darkness to its first night landing on the dry lakebed at Edwards Air Force Base in California. Astronauts Truly and Brandenstein were aided in their final approach by high intensity xenon arc-lights that illuminated the runway. Challenger's wheels stopped rolling on the landing strip at 3:41 a.m. EDT. Artist Frank Germain waited at the Media Site to view and capture this historic event. STS-8, September 5, 1983, Dryden Flight Research Facility, CA. (NASA Art Program) Art size: 20" x 30"
Gay Glading TITLE: "Engaging Gravity," acrylic on fabric collage The Shuttle Challenger blasts off picture perfect - then shifts a bit in space and seems to do a battle with gravity - having won it, skips off into space. STS-6, April 4, 1983 Kennedy Space Center. (NASA Art Program).Art size: 10-1/2" x 18-1/4"
Nick Gonzalez-Goad TITLE: "The Dream is Alive," acrylic The artist's interpretation represents the dreams and hopes of the entire space program, past, present and future. The mysteries of the universe and mankind's eternal quest for knowledge are symbolically portrayed in this picture. The artist was one of a group of NASA commissioned artists covering Shuttle mission 51-D which was launched from Kennedy Space Center on April 12, 1985. (NASA Art Program) Art size: 48" x 78"
Ivan Good TITLE: "Ships at Sea," acrylic The artist specializes in fantasy art and usually incorporates marine life or ships of one kind or another. The Shuttle Challenger, astronaut Bruce McCandless holding an anchor and the 41-B ship make an odd trio in orbit. Kennedy Space Center - February 3, 1984. (NASA Art Program) Art size: 24" x 35"
Nathan Greene TITLE: "Preparing the Gamma Ray Observatory," oil The artist depicts the Gamma Ray Observatory (GRO) being hoisted to a test cell in the Vertical Processing Facility at the Kennedy Space Center. The STS-37 Mission was launched on April 5, 1991 and landed on April 11, 1991. (NASA Art Program) Art size: 48" x 48"
Nathan Greene TITLE: "T-38 Training," oil Astronaut pilot waits in the cockpit of a T-38 as the aircraft is refueled by a ground support vehicle at Johnson Space Center. April 1989 (NASA Art Program) Art size: 24" x 72"
Nathan Greene TITLE: "Neutral Buoyancy Tank," oil Two NASA astronauts are shown on a mock-up of the proposed Orbital Maneuvering Vehicle in the Neutral Buoyancy Simulator at Marshall Space Flight Center. The NBS is a 40-foot deep water tank in which the weightlessness of space can be simulated on Earth. March 1989 (NASA Art Program) Art size: 36" x 52"
Nathan Greene TITLE: "GRO Deployment," oil The painting depicts Space Shuttle Atlantis' deployment of the Gamma Ray Observatory which took place during the STS-37 Mission (April 5 - April 11, 1991). The Gamma Ray Observatory was deployed into low orbit to measure gamma rays over the entire celestial hemisphere. These measurements could provide important information for human understanding of cosmic change and evolution. (NASA Art Program) Art size: 48" x 48"
Nathan Greene TITLE: "Space Station Module Mockup Area," oil Full-size mock-ups of Space Station Freedom's primary pressurized and logistics elements at Marshall Space Flight Center serve as valuable engineering development tools for designers and project managers working on the station. January 1989 (NASA Art Program) Art size: 24" x 55"
Nathan Greene TITLE: "STS-49, Post Landing Convoy Operations," oil The artist was on location at Edwards AFB on May 16, 1992, when the new Space Shuttle Endeavor landed after a highly successful mission. Assigned to the recovery convoy, the artist was an eyewitness to convoy operations. The painting depicts the ground crew hooking up coolant lines (left) and purge lines (right), the astronaut crew getting checkup in the Crew Transport Vehicle (CTV) left, vehicles of the forward convoy can be seen in the far distant, and other ground crew members await their part in the process. (NASA Art Program) Art size: 45" x 60"
Alvaro Guillot TITLE: "Challenger Portrait," oil The artist was assigned to one of the recovery convoy vehicles which gave him a close view of the Challenger after it landed. The orbiter, though part of reality, is a very abstract image. It is an array of thoughts in search of the infinite and has a face so to speak. The artist has painted its portrait. Mission 61-A Challenger was launched from Kennedy Space Center on October 30, 1985 and landed at Edwards AFB on November 6th. (NASA Art Program) Art size: 48" x 48"
Alvaro Guillot TITLE: "The Return," oil This painting represents the future comeback of the Space Shuttle Program. (NASA Art Program) Art size: 35" x 46"
George Guzzi TITLE: "41-C Training," acrylic Astronaut George D. Nelson, one of two 41-C mission specialists in training for a repair visit to the Earth-orbiting Solar Maximum Satellite, prepares to participate in an underwater simulation of one of the extravehicular activities of his April 1984 flight. Johnson Space Center, Houston, Texas. October 1983 (NASA Art Program) Art size: 40" x 30"
George M. Guzzi TITLE: "Crew Arrival," watercolor The 41-C Space Shuttle crew arrives at Kennedy Space Center on April 3, 1984 for a scheduled press conference. This is the eleventh flight of the Space Shuttle, where Challenger's five man crew will attempt the on-orbit repair of the Solar Max satellite that was launched more than four years ago. (NASA Art Program) Art size: 22" x 29"
George D. Guzzi TITLE: "Mission 51-D Landing Operations at Kennedy Space Center," acrylic The primary functions of the Space Shuttle Recovery Convoy are to provide immediate service to the Orbiter for towing, assisting the crew egress and towing of the Orbiter to the deservicing area. The artist was assigned to the convoy in order to artistically document these activities. Discovery (Mission 51-D) was launched on April 12, 1985 from Kennedy Space Center (NASA Art Program) Art size: 30" x 48"
George D. Guzzi TITLE: "Red Carpet Treatment," watercolor The crew of Space Shuttle Mission 51-D gets the red carpet treatment after landing at Kennedy Space Center on April 19, 1985 (NASA Art Program) .Art size: 23" x 30"
George D. Guzzi TITLE: "Helping Hand," acrylic Astronauts Rick Hauck and Dick Covey, participate in crew escape system training in March, 1988 at Johnson Space Center in preparation for the return to flight mission, STS-26, Discovery. (NASA Art Program) Art size: 30" x 40"
George D. Guzzi TITLE: "Landing of Discovery 51-D," watercolor The artist was positioned in the recovery convoy which afforded him a closer view of the activities surrounding the landing of Discovery in April, 1985 at Kennedy Space Center, Florida. Mission 51-D, in which two satellite deployments highlighted this 16th Shuttle mission. (NASA Art Program) Art size: 30" x 22-1/2"
George D. Guzzi TITLE: "Early Morn Rollback," watercolor Photographers, reporters and artists gather to observe the RSS rollback of Mission 61-B. The 7-day mission began with the second night liftoff of the Shuttle program. Launch of Atlantis from Kennedy Space Center, FL., Pad 39A on its second flight was planned for a 9-minute window opening at 7:29 p.m. EST. (NASA Art Program) Art size: 20" x 30"
George D. Guzzi TITLE: "STS-26 Crew Briefing," watercolor Astronaut Steven R. Nagel briefs STS-26 crew members, George "Pinky" Nelson, Rick Hauck, and Dick Covey on the Pole Escape System. Johnson Space Center, Houston, Texas, March 10, 1988. (NASA Art Program) Art size: 21" x 27-1/2"
Rita Guzzi TITLE: "61-B Night Launch," acrylic The artist captures the night lift-off of Atlantis from Pad 39A, Kennedy Space Center, Florida. Atlantis lifted off at 7:29 p.m. on November 26, 1985. (NASA Art Program) .Art size: 30" x 36"
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